Prof. Charmaine Nelson of McGill University says many Canadians are unaware that Africans were shipped from the Caribbean to become slaves in what is now Canada.
Photo Credit: Courtesy Charmaine Nelson

Painting speaks of black slavery in Canada:historian

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A rare portrait of an African woman hanging in a Montreal museum speaks volumes about slavery in Canada, says McGill University art historian Charmaine Nelson. In school, many Canadians are taught about the Underground Railroad but know little about the slavery that existed in the 200 years before that. Originally named “The Negress,” the portrait hangs in the Montreal Museum of Fine Arts and is on Loan from the McCord Museum. Because the painting’s name was deemed politically incorrect it was renamed “Portrait of a Haitian Woman.”

The Underground Railroad was not an actual train service, but a network of routes and safe houses by which slaves could escape plantations in the southern U.S. and come north to the British colony that is now Canada. The network was set up in 1834 when Britain abolished slavery and forced the colony to end it too, and it endured until the end of the U.S. civil war in 1861.

Canadians “heroized themselves”

“(Canadian students have)…all been trained in a recitation of the narrative of the Underground Railroad, which is basically a way Canadians have heroized themselves as the liberators of African-American slaves,” says Nelson, adding that before that, both the French and the British colonists had black and aboriginal slaves. Historians believe New France, which later became the province of Quebec, had 4,000 slaves from 1628 to 1800.

The portrait was created in Saint-Domingue, a French colony in the Caribbean in 1786 and may have depicted one of them. Nelson thinks she may have been Marie-Thérèse Zémire, one of two slaves owned by the wife of the artist, François Malépart de Beaucourt who is known to have lived in Saint-Domingue at that time. She wears a colourful headscarf, of a type worn by West African women, and brought with them to nations of the Caribbean.

Slaves forced onto cargo ships

Zémire may have been one of many slaves who were transported from the Caribbean to what is now Canada, says Nelson. “A large population of them would have been forced onto cargo ships, merchant ships, that were headed to ports like Halifax (in what is now the eastern province of Nova Scotia) and Montreal (now in Quebec) along with rum, sugar, molasses, along with five, ten, 15 slaves.”

Slaves sexually exploited

One breast peeks out of the slave’s blouse in the portrait. Nelson says a white woman would not have been portrayed that way and that it speaks to the practice white slave owners had of raping slave women and owning the children that were subsequently born.

Slavery is everyone’s history

Many Canadians are unaware of the practice of slavery in Canada. Nelson says discussion of the topic should not be restricted to Black History Month. Slave-masters were white and some whites were abolitionists she notes, concluding that slavery is everyone’s history.

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2 comments on “Painting speaks of black slavery in Canada:historian
  1. Some corrections need to be brought here. The painting belongs to the McCord Museum. It is currently on loan to the MMFA. The orignal owner’s title was “The Negress”, which is politically incorrect. For this reason, a new title was given: “Portrait of a Haitian woman”. As historians, we are subject to the limits of the knowledge, and we must be transparent about it. The work has been painted in Saint-Domingue in 1786. We have scientific evidences that Beaucourt lived there from 1785 to 1788. There is no doubt it represents a slave, but we don’t know her identity, hence the factual title. Also, the reproduction rights never been granted to RCI, neither to Dr Nelson. Your article is blatant violoation of copyrights.

  2. Brenda Orser says:

    Question/Request

    On Wed, Feb-5-14, 2:00am RCI broadcast of CBC’s, Radio One, “The World”, a segment was of a (CA? ) singer of South Indian Classical music, specifically her blend of the Raga with American Blues; the piece played was an acoustic guitarist (from Georgia) who played on her recent production of a raga for ” the fear of death”, ie seperation from one’s (her) lover. That blend was very unique and exceptionally-, also musically-engaging — the specific raga & the Blues.
    Would you refer me to the Singer, music played on the program as broadcast, please?
    ThY