View from Pangnirtung, Nunavut. (Eye on the Arctic)

Eye on the Arctic: Video Archive

In the days before mass media reached the remote corners of Canada, before Twitter and Facebook, the art and artists of Canada’s Arctic were the main conduit for northerners to communicate their culture and communities to the rest of the world.

Today, the artists from this region continue to push boundaries, exploring everything from traditional culture and family life, to the climate and social change in their communities.

Since 2010, Eye on the Arctics Eilís Quinn has been travelling to these artists’ studios to hear about their inspiration and their work.

This summer, to coincide with Canada’s 150th birthday, we’ll be launching a special page featuring our conversations with the printmakers, graphic artists and carvers responsible from some of the most internationally recognized art out of Canada.

In the lead up to the project, we’re dipping into our vault and bringing you some of the interviews we’ll be featuring.

Earlier this month, we brought you our 2011 conversation with Pangnirtung artist Andrew Qappik about his printmaking. 

Today, we follow up with Kyra Fisher, the then general manager of Pangnirtung’s Uqqurmiut Arts and Crafts Centre, who talks about what goes in to turning one of Qappik’s images into tapestry.

How an image goes from paper to tapestry

Write to Eilís Quinn at eilis.quinn(at)

Related stories from around the North:

Canada:  Inuit art featured on new Canadian banknote, Eye on the Arctic

Finland:  London gallery offers multimedia Sámi art, Yle News

Greenland: Canadian artist explores Greenland’s past, Eye on the Arctic

Russia: Karelian art on show in Russia, Yle News

Sweden:  Swedish Sámi visual artist shaping climate changes, Radio Sweden

United States:  ‘I Am Inuit’ goes from Instagram to museum in Anchorage, Alaska, Alaska Public Radio Network


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